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Archive for the ‘Literature’ Category

Empty Spaces: The Case of Bram Stoker’s Plaque

08 Jul

A while ago I mentioned, in an article I wrote for the Guardian’s Comment is Free, that the commemorative plaque bearing Bram Stoker’s name was missing from the front of no. 30 Kildare Street, in the centre of Dublin. It’s still missing, and, as far as I can tell, no action’s been taken to retrieve it.

30 Kildare Street. The space where the plaque had been attached is visible between the two ground floor windows.

The plaque had been erected by the Bram Stoker Society on 27th July 1983, and Albert Power wrote recently, in his excellent history of the Society that it was ‘without doubt [...] the most significant achievement of the Bram Stoker Society in these early years’. (The Society had formed in 1980, and was based in Trinity College.)

Present at the unveiling were Leslie Shepard, Chairman of the Bram Stoker Society, Ann Stoker, the author’s granddaughter, Ivan Stoker Dixon, great nephew of Stoker, and the Lord Mayor of Dublin, Michael Keating. According to the Irish Times report on the occasion, two coachloads of schoolchildren passed by during the ceremony, shouting ‘Up Dracula!’ Stoker Dixon, an actor, then performed a portion of his one-man-show, ‘From Clontarf to Castle Dracula’ for the crowd.

Dublin Tourism were heavily involved in the unveiling (the organisation was responsible for the erection of plaques within the city, and each plaque bore the Dublin Tourism name), and its chairman, Gerry Byrne, gave a brief biographical talk at the ceremony.

The plaque, photographed in September 2006

When I rang Dublin Tourism in November to ask where their plaque had gone, they said it wasn’t their responsibility; that I should talk to someone in the city council.

I eventually established a narrative of the plaque’s disappearance: the building, which had been occupied by a solicitor’s firm, was sold in June 2006 for €2.3 million. In the adverts in the property section prior to the auction, the auctioneer emphasised that the building was ‘of historical note’ because of its association with Stoker, and showed a close-up of the plaque.

The building was sold to the Shelbourne Development group, who acquired the adjoining buildings at 31 and 32 in the same year. Their properties on Kildare Street are blurbed on the Shelbourne website here. The building is now occupied by a plastic surgery clinic, which moved in to the property in September 2008.

I attempted to contact Shelbourne Development, who, as my Guardian article pointed out, have many pressing problems at the moment; they failed to reply to my correspondence.

The plaque disappeared at some point between September 2006 (when I photographed it) and September 2008, when the clinic moved into the building.

The responsibility for the plaque lies with the owner of the building. Astoundingly, however, it seems that a plaque can be removed from a building by an owner at his/her own discretion. I have heard this several times, both first-hand and second-hand. However, if a building is listed as a protected structure, the owner must secure planning permission before making structural or cosmetic changes to a building.

The building at 30 Kildare Street is listed in the Dublin City Development Plan as a protected structure:

Planning permission was never sought to remove the plaque, nor, presumably, would it have been granted. As the plaque was removed without permission, it should be reinstated.

 

On the edges of your town: Looming Hulks of Gothic Horror

08 Apr

An article I wrote for the Guardian about Bram Stoker’s missing plaque and Ireland’s baroque property disaster here.

 

Some Parisian Walking

20 Mar

Two recent articles by me, written for 3:AM Magazine: a review of Tom McDonough’s new Situationist reader, and an interview with Eric Hazan, radical publisher and author of The Invention of Paris.

 

Strolling Through Faubourg Saint-Antoine

01 Mar

I’m currently reading the new Verso translation of Eric Hazan’s The Invention of Paris. It’s a beautifully imagined book, full of colourful descriptions of Parisian places. I’ll review it soon, but in the meantime, here’s what Hazan says about the Faubourg Saint-Antoine, a notoriously radical Parisian locale:

The present Faubourg retains few material traces of this glorious past, and only the friends of Red Paris mentally raise their hats when they cross Rue Charles-Delescluze and remember that at the crossroads of Rue du Faubourg Saint-Antoine and Rue de Cotte they are on the site of the barricade where the representative of the people Alphonse Baudin was killed for twenty-five francs. But even if the proximity of the Bastille Opera now disagreeably contaminates the first few metres of the Faubourg, even if Rue de Lappe, long since deserted by the Auvergnats, is no longer the haven that it once was for modern art, still the Aligre market, the fountains on the corner of Rue de Charonne and in the square in front of the Saint-Antoine hospital, the courtyards where illustrators and computer buffs, Chinese artisans and photographers, work cheek by jowl – this unique mixture maintains the quarter’s identity as plebeian and industrious. If, taking up Marcel Duchamp’s idea, we should manufacture cans of Air de Paris, it is certainly that of Faubourg Saint-Antoine with which I would fill mine. (124)

Eric Hazan will be in conversation with Iain Sinclair in London’s Institut Francais this Wednesday 3rd March. (Details here.)

 

25 Aug

The first issue of The Kakofonie is launched tonight in the Pygmalion Bar, South William Street, Dublin (near the Powerscourt Centre). Events begin at 7pm, and at around 7.45pm I’ll be interviewed by the journal’s editor, John Holten, on my thoughts about urban space and memory.

 

07 Aug

I review Adam Braver’s novel about the day of JFK’s assassination, November 22, 1963, on 3:AM here.

 

22 Jul

This evening in Berlin, a new literary journal will be launched. Titled The Kakofonie, and edited by John Holten, the contributors come from Italy, Germany, Ireland, the USA and Denmark. In the first issue, American cruciverbalist Charlie Stadtlander provides a crossword puzzle, French-based Irish artist John Lalor provides a textual exploration of notions of the void, and there are stories and poems from Luke Sheehan, Patrick O’Beirne, Christian Ward and Andrea Bedorin. In addition, I contribute an essay on Georges Perec and urban form. The first issue is available for download in PDF format here.

 

04 Jun

My review of Owen Hatherley‘s book Militant Modernism is online at 3:AM magazine here.

 

13 May

Reading Owen Hatherley‘s enjoyable and timely polemic Militant Modernism, I came across this critique of the work of Alain de Botton:

Perhaps the most irksome of Ikea Modernism’s products was Channel 4’s The Perfect Home, presented by Alain de Botton, promoting his The Architecture of Happiness. Perambulating about the place with an expression of casual intellectuality and immense self-satisfaction, he encapsulates all that is malign in British intellectual life. De Botton personifies the faux-naïve stance of the televisual idiot-expert, who ventriloquises thinkers from Proust to Boethius to Le Corbusier, emphasising how they can enhance (but certainly never truly change, or question the purpose of) the lives of the administrative classes of terminal capital.

 

04 May

My interview with legendary ex-NME writer Nick Kent is available in full from 3:AM Magazine here.